Because on the back is a picture of the walkaround Alice, Mad Hatter and White Rabbit. The image is taken from the Donruss Disneyland set, card #12.
Who knows how this survived, and it wasn't even in a scrapbook, it still is full of sugar!
Because on the back is a picture of the walkaround Alice, Mad Hatter and White Rabbit. The image is taken from the Donruss Disneyland set, card #12.
Who knows how this survived, and it wasn't even in a scrapbook, it still is full of sugar!
A later publicity press release sets this number at more like 200,000. Radio spots were recorded with Kathryn Beaumont and were to be played on 154 stations throughout the US. It also mentions that newspaper ads were planned, but the same later press release does not mention it so I don't know if these ads were ever created.
Royal also ran full-page color ads in comic books, with an estimated distribution of 34,000,000! That's a lot of comics. Consequently, the comic book ad page is fairly well known.
The cards were on the back of all their various products including pudding, custard, gelatin, and *new* lemon.
Despite the (presumably) large number of product packages produced, very few of these have survived. I have never seen a complete set, and only have 9 of the 16 myself.
The packaging mentions that you could send away for an album to hold the collection of 16, I have never seen one.
Thanks to Tick Tock Toys for sharing their images of cards 7, 8, 9, 11 and 16.
Ah, the 1950s, when every advertising campaign had some sort of jingle or rhyme to it. Some of these are pretty dreadful.








This is another one of those things that most people don't believe exists. And in a sense they are correct, it is not a traditional Kay Kamen catalog - his death bringing about an end to that era - but rather an internally produced merchandising division catalog, or as it says on the cover, News About Walt Disney Character Merchandise. Even still, so rare that it was thought not to exist, although there is a photo of the cover in the TOMART condensed edition on page 280.
This is an invaluable tool, with tons of illustrations of rare, and sometimes unproduced, character items. It is not limited to Alice in Wonderland, but rather is a snapshot at what was planned for the 1951 season. Of course Alice dominates the catalog. Also included is a listing of the licensed manufacturers, unknown how complete this list is though. Its target audience was, I presume, the toy retailers.
First up is the page describing the Golden Story Coloring Book (see posts here and here for more details).
Second is third of the Little Golden Books from Alice, The Mad Hatter's Tea Party. This is other LGB from Alice to get a single (A) printing, along with the Live Flowers book.
Next is another one of those items that for years I couldn't confirm even existed. Just like the Sandpiper book I had seen references to the DBR-1 and DBR-2 Big Golden Records (or Disney Big Record - DBR), but had never actually seen them, nor had anyone else. But I did finally acquire them about 5 years ago, and I will be posting them in the not too distant future. Too bad the covers are so boring...
Lastly the Big Golden Book; a small entry for the Alice book amongst the other BGBs of the day. Oddly, of the catalogs that I have, this is the last time the Alice books are ever mentioned, even though the BGB and the LGB White Rabbit remained in print for more than 30 years.

In it Walt (or his ghost write) discuss the difficulties they had bringing Alice to the screen. It is a fairly succinct description of why most Alice film adaptations are less than satisfying from a purely literary point of view - it is damn near impossible to faithfully adapt Alice as a film, it just doesn't lend itself that well.
Of particular interest is the descriptions of why specific characters were left out or combined, and both the consolidation and abridgment of the two books.
In general a pretty high-brow article, definitely meant for a different audience than would read Screen Stories or Movie Life. And so far in advance of the film's release too.

This drawing is on a piece of trimmed animation paper, and is a little worse for wear, but the image itself is fantastic. The stylized rendering is very reminiscent of the UPA stuff that was going on at the same time, and while I don't know who exactly executed this drawing, it has a zany quality that I usually attribute to Ward Kimball. One of my faves.
I have seen this in both this off-white color and a bluish color as well. Again I don't know the manufacturer.

These have a blue base color with the picture encased in a clear top layer - there are also variants with a red base color (of course I had to have both variants for both images dontcha know).
The inside has a change pocket with a snap closure, couple of smaller storage flaps, and of course the main wallet compartment.
One still had a couple of wallet-sized school photos inside. I call these two kids Bobby and Susie.
This is the page that made me realize what this batch of art was from. If you look at the rendering of Alice's face - especially the eyes - you'll see that it is very distinctive. I had always noticed the way her eye's were drawn in that coloring book, and the page of art triggered that memory enough for me to pull out the book and compare.
Another interesting thing is that this page of art - along with all the others in this series - is art from the pre-colored pages of this book. You may recall from my original post that this coloring book is a little different from most, it has a bunch of pages that come pre-colored, acting as a sort of reference.
The Golden Catalog from the fall of 1951 describes these special books as Golden Story Coloring Books, and the pre-colored pages as offering 'a general guide to the young artist'.
The next few posts feature original art for this coloring book. First up is page 14, the Walrus preparing to 'begin the feed'.
This completes my set of five walrus figures made by Goebel in the Alice in Wonderland series. See my previous post on this figure for more details.