Monday, August 17, 2009

Jaymar Jigsaw Puzzle Game

Back in March, Carevaggio asked if I knew of a game that involved jigsaw puzzles. This is that game.

The Jaymar Jigsaw Puzzle Game is something that has eluded me for nearly my entire 20 years of collecting. This photo comes courtesy of a collector friend of mine.

I do however have the complete set of the jigsaw puzzles from the game.

The puzzles are an odd size, 7" x 11".

I assume the border color corresponds to the color of your game piece.

Sunday, August 16, 2009

1974 National Screen Service Standee

Since I was in that section of the Tulgey Wood anyway when I pulled out the theatre from yesterday's post, I thought I might as well photograph the subject of today's: the 1974 standee.

A more frightening piece of movie memorabilia has never been produced. A giant, six foot tall, day-glo Cheshire Cat. The colors on this thing can actually make your eyes water.

I commented on this piece once long ago in a fanzine, whoever the marketing guy was during the 1974 promotion must have been either insane or stoned. "For All You Fat Cats" - what the hell does that mean? Who is the audience for this campaign? Just one more reason why I pretty much despise the 1974 approach to the film.

But still, a cool piece ;-)

Saturday, August 15, 2009

Peter Puppet Marionette Show Theatre Variant

About a year ago in this post, I mentioned that there was a variant of the theatre for the Peter Puppet Marionette Show. This week I had occasion to pull that variant out and take a picture of it.

It is really quite different from the standard one pictured in all the brochures. For one thing, some assembly required: it is actually two pieces that must be folded, you know tab A into slot B and so on. And there is an actual stage floor in this version. And of course the design of the proscenium is completely different. All in all, a very intriguing item. Who would have thought that the toy would have been around long enough to have a variant.

The only thing I can think of is that the marionette show theatre in general was undergoing design changes right around the time Alice was coming out, and only a few of one or the other design got manufactured and sold prior to the redesign. My guess would be that this version is the older one, since it is two pieces and required assembly, something altogether more expensive to manufacture.

Friday, August 14, 2009

Headed to Disneyland!

Got my tickets all set, me and the missus will be at Disneyland on Wed Aug 26th, and maybe the 27th too! See you there! If you can't find me, look near the Alice attractions ;-)

Thursday, August 13, 2009

Little Golden Book - Elisa Di Negeri Ajaib - Indonesia

A much more recent edition, but my only Alice item from Indonesia in the entire collection!

Wednesday, August 12, 2009

Little Golden Book - Alice in Wonderland Meets the White Rabbit - Australia

Australian Little Golden Books are almost indistinguishable from their American brethren (we speak the same language you know, barring a few misplaced vowels).

As with the US editions, there are several printings of the Australian edition. The quickest way to identify a first is by the spine. Unlike the American editions of the period, and later editions in Australia, the spine is not gold foil.

Also the last book listed on the back cover is D10 - the Flowers book.

Tuesday, August 11, 2009

Little Golden Book - Alice et le Lapin Blanc - France

From Hachette (the one we all know and love), comes the French version. This is part of a series known as Les Albums Roses - their equivalent of Golden Books - but being French they are PINK!

There are several editions of this book that look virtually identical, and unfortunately they all have the same 1952 copyright date. The only way to tell a true first edition is by the endpapers

and the back cover.

These books, like their American counterparts, have red tinted page edges - or I guess that should be PINK!

Monday, August 10, 2009

Little Golden Book - Alice und das Weisse Kaninchen - Germany

Ze Germans (thank you Turkish) also published the White Rabbit book - along with the Flowers book - but oddly enough did not publish the Mad Hatter book.

There is even the equivalent of a Goldencraft edition for the German edition.

There is a second printing too, it is a softcover rather than a hardcover.

The publisher of this and all the German Disney books of the period is Blüchert-Verlag. The cover art on all ze German editions is the same, but quite different from the American version.

Sunday, August 9, 2009

Little Golden Book - Alicia en el País de las Maravillas Encuentra al Conejo Blanco - Argentina

This is the only Little Golden Book (Librito de Oro) I've ever seen from Argentina. The cover is the same as on the US edition, but the quality of the image is a little odd, sorta like there is a film covering it - but there isn't. The publisher is Hachette, a company normally associated with French books, guess they had a South American subsidiary too.


It sure takes a lot more letters to spell this title in Spanish!

Saturday, August 8, 2009

Little Golden Book - Alice in Wonderland Meets the White Rabbit - Goldencraft Edition

Just as with the Live Flowers LGB, the US White Rabbit book has a Goldencraft edition too.

As previously noted, this is a third series Goldencraft binding. These editions were typically used for schools and libraries (given their more durable covers), and are generally difficult to find.

Friday, August 7, 2009

Little Golden Book - Alice in Wonderland Meets the White Rabbit

Thought I'd do another series, the Alice in Wonderland Meets the White Rabbit Little Golden Book series. This book has many, many editions worldwide.

This book is by far the most common of all the Alice books, primarily because it was in print for so many years. I have one copy that is a 22nd printing. The other two Alice titles received only a single printing.

As some of you may know, first editions of Little Golden Books are sometimes called 'A' editions. That is because the way to tell which printing you have on the early LGBs is to look for the single letter printed on the last page in the bottom right hand corner near or sometimes under the spine. But a quicker way to tell at a glance if your Alice is a first printing is to look at the book on edge: the pages are tinted red!

Other things to look for when looking for a first:
  • first editions have block lettering on the cover for A Little Golden Book, later editions have script lettering
  • first editions never have a UPC code, those didn't come into use until the 1970s
  • the last title listed on the back cover of the first edition is D23 Alice and the Mad Hatter
  • the stock number of the first edition is D19, later editions the stock number changed several times, including 103-1, 103-41, and 105-50
  • first editions have no price on the cover
  • first editions have no stock number on the cover
By far the most fascinating thing about the White Rabbit Little Golden Book, is the inclusion of the Jabberwock.

The Jabberwock is a character that was originally scheduled to appear in the film, and seemingly removed fairly late in the game. There is this page, and there was to be a Little Golden Record as well. Stan Freberg was originally slated to provide the voice of the Jabberwock.

Monday, August 3, 2009

Zaccagnini March Hare

Wow, this has been a banner year for Zaccagnini figures from Alice. In one year alone, I've now seen three figures I never knew existed before! Who knows what the future may hold.

I can't tell you how excited I was to acquire this figure. It completely captures the zany quality of the March Hare from the film, I especially love the crossed eyes.


Oh, and thanks to Matterhorn1959 for your prophetic words on my Cheshire Cat post, another did indeed come my way and now happily resides in my display case, in what I like to call Little Italy.

If I find any more, I'm gonna need a new case!

Friday, July 24, 2009

1951 National Screen Service Color-Glos

When I first saw this ad in the campaign book, for a set of what I assumed were 8x10 photographs, I wondered what it was about them that made them 'Color-Glos'. I mean, it is a black and white illustration, but the copy implies that they are full color, so I assumed they were just color stills, rare but not unheard of in 1951.

I imagine many theatre owners were caught as unaware as I was when I found my first one. If the campaign book had been in full color, the ad would have looked more like this

When I got my first one, I didn't put it together with the campaign book ad, I thought it was a homemade art project kind of thing, you know, someone found this old black and white still, and hand tinted it. My high school had a photography class that did exactly that.

It wasn't until later when I found a group of them with a couple of duplicates that I made the connection.

And again with the weird colors. Geez, can't anyone color Alice's dress blue?!

These are really neon, it is not a trick of the scanner, the colors really are this vivid.

Also, there must be something about the process used to create these, they are extremely brittle, and they almost always turn up either torn or chipped. I've torn more than one accidentally as well.

And these are really scarce, it took me 15 years to put together a complete set.





Wednesday, July 22, 2009

1951 National Screen Service Standee

One more from the "wow, didn't know that existed!" category. This is an original release standee (who knew they made those back in 1951).

The art on this is based on the A-style half-sheet, or perhaps I should say that the half-sheet is based on this, since Alice is full figure here and not on the half-sheet.

This particular example is in pretty good shape considering it is a piece of 60 year old cardboard. There are a few paint marks (some one apparently cleaned their paint brushes on it - the nerve!), and I was ecstatic to find it at all, and have never seen another.

Tuesday, July 21, 2009

1951 National Screen Service Window Card

Getting near the end now. This is a window card, dimensions are 14"x22" - half the size of a half-sheet (quarter-sheet anyone?) and printed on the same heavier paper stock. This is another of those items that I thought would be way more common than it is, for the simple fact that these were also meant to be ordered in large numbers by theatre owners and distributed - this time to other local business.

The idea is to print or write information specific to the local theatre at the top of the poster in the blank white area and have these scattered around town in windows to advertise the showing. As such, these were never meant to be returned to NSS after use, they were essentially single use, and I would have thought more people would have kept them. But that is certainly not the case, these are very very uncommon. When they are found, they are almost always trimmed or folded. It is not a very pretty poster, probably adding to its scarcity.

Thursday, July 16, 2009

1951 National Screen Service Herald

This is a bit of repost, but seemed a good idea to put this with its brethren.

Of all the movie paper to be considered rare, this is the absolute last thing I would have predicted. This is the domestic herald from the 1951 RKO release. This is something that would have been ordered by a theatre owner and handed out in the weeks prior to the film being show at a specific theatre.

In all the years I've been collecting this is the only one I've ever seen. I've seen three six-sheets over the years, but just one herald. How weird is that?! Perhaps I just haven't been looking in the right places, but you'd think something like this would not be that hard to come by. They must have been printed by the thousands, and were made to be given away. It really is a nothing little thing, just a single sheet folded, one color printing (magenta on the front cover, blue on the inside). Cover art is the same as the A-style half-sheet (but reversed),

the inside art is the same as the B-style half-sheet and 24-sheet.

The back cover has the date and time for the Paramount Theatre, and advertises that Nature's Half Acre will accompany it.

Wednesday, July 15, 2009

1951 National Screen Service 40 x 60

This is a bit of repost, but seemed a good idea to put this with its brethren.

All movie paper for Alice in Wonderland's initial release is by and large fairly rare, but here is something I never thought I'd see - I wondered if it even existed at all since it is not listed in the campaign book!

This is a 40x60, slightly smaller than a 3-sheet (41x81). The major difference is this is printed on a single sheet, and it is a heavier paper stock, more like lobby card or half-sheet stock. It does have the NSS number 51-408 printed in both the upper and lower margins. Odd that this particular size is only known by its dimensions, their is no 'name' for this poster size

Saturday, July 11, 2009

1951 National Screen Service 24-Sheet - Sorta

A 24-sheet is essentially a billboard. I have never seen one, but this is the image from the campaign book. Size of a 24-sheet is 108"x246" - that's 9 feet tall and 20.5 feet long!!

What I do have is this page from some unknown magazine that illustrates the Alice 24-sheet. The ad is for what appears to be a trade association for outdoor advertising companies called The Standard Group of Outdoor Advertising Companies.

I hesitated to post this ad, mostly because of the headline, which sounds like bad ad copy for a 1970s porno.

If this is really what the billboard looks like, would be great to have one...Alice would be something like 8 feet tall!

Friday, July 10, 2009

1951 National Screen Service (?) Glass Slide

This is something I didn't think existed, a glass theater slide advertising Alice in Wonderland. I thought that these glass 'Magic Lantern' slides pretty much went the way of the Dodo in the 1940s, but here one is (thank you eBay!). I'm not even sure if these were distributed by NSS, but I'm operating under that assumption. This particular slide came out of the Rialto Theatre in Joliet, IL.


These were used by theaters to advertise coming attractions, local business, etc., between features and sometimes between reels. There were also sing-a-long slides from way back when the theater would only have a single projector and it took time for the projectionist to switch reels. At that time these kind of slides would be used to keep the audience entertained until the next reel was ready to show.

There is a pretty good article on these kinds of slide over at LAMP, if you are interested check it out.

UPDATE: I just noticed that the campaign book has a small note on the caption for the A-style half-sheet that says "Slide Same", which I guess means that the image is the same for this slide. No other mention of slides appears in the campaign book.

Wednesday, July 8, 2009

1951 National Screen Service Half-Sheet Style B

Slightly out of order (took me a while to find it) is this B-style half sheet.


Sunday, July 5, 2009

1951 National Screen Service Banner

The first time I saw this I just about died. This is a banner, an incredibly rare movie poster that is not even listed in the campaign book. A movie poster dealer friend of mine found this for me back in 1993 I think, and since that time I've only ever seen one other example.

Banners are approximately 25"x82", so as wide as a three-sheet is tall. Made of the same heavier stock paper as half-sheets, they are rarely found unfolded since they are so long. And again with the funky color scheme, although in this case the printing is using a reduced 3-color process. It does carry the NSS number on each edge.

Saturday, July 4, 2009

Happy 4th and Happy Birthday Alice!

As some of you may recall from last year, not only is this Independence Day here in the USA, but it is also the anniversary of the day when the Rev. Dodgson first told the story of Alice's Adventures in Wonderland to the Liddell girls in 1862.

To commerate that occasion I present to you a rather odd piece of Disney Alice ephemera. This is a British postcard featuring Alice characters - drawn loosely in the style of Tenniel - by an artist named Mendoza. The card was made by Leslie Lester Ltd., of Hurstpierpoint, Sussex (say that three times fast).

I hear you saying 'but Matt, that doesn't look Disney at all', and you'd be right, it doesn't look Disney - but it is. On the back is this notice.

My guess is that either this was based on concept art or that Disney had tied up the rights to Alice somehow that necessitated the license as stated on the back.

This is one of an entire series of cards, I don't know how many there are in the series, but I have 12 different cards, all with the same license notice on the back. Most are more traditional scenes taken from the Tenniel illustrations, but a couple, like this one, are just plain weird.

I particularly like this card because it features characters that you rarely see renditions of - the Lion and the Unicorn.