Brazilian Sticker Album - Editôra Vecchi

Lotario Vecchi and his brother Arturo founded Editôra Vecchi in Rio de Janeiro in 1913 after relocating from Italy.  Lotario returned to Italy and later founded Edisioni Lampo in 1939, leaving Arturo to run Vecchi.  The company originally focused on women’s novels (one can assume this means romance novels) but in 1929 began publishing comic books, for which the company would become famous.  The range of titles was large, reprinting content from famous comics around the world including Tex from Italy, Mad Magazine from the US, Smurfs from Belgium, and numerous Gold Key, Fawcett, and Charlton comic books.  From the late 1940s through at least the 1970s the company also created a range of sticker books on a wide array of topics, including Disney.  The company suffered financial problems in the early 1980s, forcing the company to close in 1983.

Os Livros de Ouro da Juventude #16 - Alice no Pais das Maravilhas

Vecchi printed an Alice in Wonderland sticker book, essentially a Portuguese version of the Italian Lampo sticker book which had been published in 1952 (we'll see that one in a future post).  There were at least two printings of this Brazilian version, one in the late summer of 1958 (dated July, August, September), the other in the winter of 1959 (dated January, February, March).  The book has the same format as the Italian, including all art, with 32 pages holding 240 stickers, each page separated by a velum sheet.  The album itself could be purchased for Cr$5, with stickers sold for Cr$5 per 15, although they could be purchased in quantities of 15, 30, or 45 stickers at a time.

The art is pretty nice on this book, with the weird brown line art on the pages being only slightly bizarre.

Interstitial art in these stickers book, no matter which country, tend to be a little weird, likely because that art was done in-house, whereas the primary art on the cover and stickers was likely done by the studio or at least the officially sanctioned artists for that country or region.

The individual stickers have text on the back describing the scene and providing the number so they could be properly placed in the book.

Mercury Records Featuring Roberta Quinlan and Richard Hayes

Mercury Records originally issued records from Alice in Wonderland in 1951 at the time of or slightly before the release of the film, and again in 1954 or 1955 as a part of their Childcraft line.  Songs and narration were performed by Richard Hayes and Roberta Quinlan.

The Story of “Alice in Wonderland”

Issued in 1951 as a standard 78 RPM album (A89) with three 10” discs, and as a single 33⅓ RPM (MG-25096) disc.  The cover of the album has exceptionally unusual art, especially for the time, and looks like it could be from a decade later.  This set is what is referred to as the “complete score” in the campaign book, but it is essentially a storyteller.

 

Childcraft Songs from “Alice in Wonderland” CM-37

Issued in 1955, this 78 RPM record consists of 4 songs from Alice with accompanying narration, basically an abridged version of the album above.  

An Australian release as a 78 RPM exists using the same sleeve just on a different weight of paper, however the labels on that version are quite different from the American version. 

EP-C-2

This 45 RPM version of the Childcraft Alice CM-37 is actually the B side of the Childcraft Pinocchio (non-Disney).  But at least they used the Alice sleeve art on the back of the cardboard cover.

Miscellaneous

There is an additional Mercury record by Quinlan-Hayes that has narration and songs but is not part of any of the albums above.  Mercury 5639 is a 78 RPM record with three of the eight songs contained on the full album, so not quite a storyteller but not just a single either.  It is also available as a 45 RPM record.

There is also what appears to be a single of the title song “Alice in Wonderland” by Roberta Quinlan on the Mercury label, but to date I’ve only found it as a sample record, the kind usually sent to radio stations to be played on-air.

Good-Win Paint Your Own Walt Disney Figures in Pottery

Good-Win (Strome & Co Ltd) of London, England was a manufacturer of games and puzzles in the early to mid-twentieth century.  While I have been unable to find much information on this company, they appear to have primarily made dominoes, jigsaw puzzles, and a few other games as well.  The parent company of Strome & Co. does appear in the catalog for the British Industries Fair from 1947 as a maker of a variety of toys and games.

To date only one Disney series has been identified from Good-Win, a series of three Paint Your Own Figures sets featuring ceramic pieces manufactured by Weetman.  These date from 1952 or earlier based on the characters available:  Mickey & Donald, Tweedle Dee & the Mad Hatter, and Flower & Thumper.  It is possible that other items exist since the box for this item pictures additional Disney characters from Cinderella, Pinocchio, Dumbo, Pluto, and the Three Little Pigs.

All items by Good-Win carry their logo of a boy crossing the finish line of a track race with the words Good-Win Reg Trade Mark.

The Paint Your Own Walt Disney Figures in Pottery set for Alice appears to have been made at the time of the film’s release in the UK, 1951 or 1952 at the latest.  A hand-written price on the label of 6/3 equates to about $0.88 in 1951, and $14.14 in today’s dollars.

The set for Alice contains figures for the Mad hatter and Tweedle Dee, as identified by the label on the bottom of the box.  The contents consist of one each of the small white ware figures manufactured by Weetman, with a paint brush, tray, and four tubes of paint.  An instruction sheet is also included, with some advice on how to glaze the figures with some sort of varnish when you are happy with your results - varnish not included of course.

Argentinian Coloring Book from 1959 - ¡Ven a Pintar! #4

From their series of Disney coloring books “¡Ven a Pintar!” this is the fourth in the series, featuring Alice.  Consisting of 16 large pages to color or paint, the line art is quite good and appears to be either copies of or redrawn from the Whitman Paint Book.

I've seen Alice depicted with the pink pinafore and stockings a few time from South American countries, but have never been able to figure out why.

Alice in Wonderland Comic Adaptation in Margriet Magazine from the Netherlands

Previously we've seen serialized adaptations of the Alice film in comic strips and magazine from the US, the UK, Turkey, and Belgium.  It turns out there is another, also based on the Belgian Mickey Magazine adaptation, that appeared in a weekly women's magazine in the Netherlands.

Published from 1938 through the current day, Margriet ran a serialized adaptation in Dutch from December 22, 1951 to April 19, 1952.  While almost exactly the same as their Belgian counterparts, the individual installments do have one unique feature: color scheme.  Each issue (at this time anyway) is two-tone, but the non-black color varies from issue to issue, being one of green, red, or yellow.

Little Nipper Junior Series Alice in Wonderland from 1953

Y-485 Alice in Wonderland

Likely issued in 1953, this 78 RPM entry in RCA Victor’s Little Nipper Junior series features a vivid yellow cover with new art of Alice and the dancing Tweedles.  Featuring Kathryn Beaumont and Ed Wynn from the original cast, this is an abridged single disc version of the standard Little Nipper storyteller.

EYA-46 Alice in Wonderland

The 45 RPM EP of the Junior series record above is actually the B side of a similar Peter Pan record, hence the 1953 release date.  Surprisingly the cardboard sleeve prints the Alice art on the back which makes this particular record much easier to identify.

Columbia Record Featuring Rosemary Clooney

Rosemary Clooney recorded this record of four songs with the Percy Faith Orchestra for release on the Columbia label in both 78 RPM (MJV-112) and 45 RPM (MJV 4-112) formats.  The cover art is unique to this release, and is more reminiscent of Tenniel than Disney.  Although even that is a stretch.  Best to say it is unique.

I do like the fact that the 45 RPM sleeve has a hole in the middle just like a plain sleeve.

Mayfair Record Featuring June Winters "The Lady in Blue"

The Lady in Blue, a character popularized by singer June Winters, released a number of children’s records beginning in 1947, with the Alice in Wonderland title Songs from Walt Disney’s Alice in Wonderland being released in 1951.

Issue in both 78 RPM (K-128) and 45 RPM (K-128-45) formats, the record includes the songs Alice in Wonderland, I’m Late, All in a Golden Afternoon, and The Unbirthday Song.  The paper sleeve features art inspired by the original John Tenniel illustrations; the art on the 78 RPM label  features Alice, but not based on Tenniel.  The 45 RPM label is just a standard 45 RPM label with no art at all.  Based on this one might assume that the 78 was more targeted at the children's market whereas the newer 45 format more at the adult market.  But who can say for sure.

Founded in 1946 by June Winters and her husband Hugo Peretti, Mayfair Records specialized in children’s records featuring “The Lady in Blue,” June Winter’s character made famous throughout the late 1940s and 1950s.  By 1949 The Lady in Blue's popularity had increased dramatically, with her own fan club, comic strip, and numerous appearance on radio and television.  By 1951 The Lady in Blue radio show was airing nationwide on NBC Radio.

Mayfair was acquired by Roulette Records in 1957, with Hugo Peretti staying on as head of the children’s record division.  The Lady in Blue continued to release records on the Roulette label until June Winters retired in the 1960s.